Training the Singing Voice - online book

An exploration of the theories, methods & techniques of Voice training.

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ORIENTATIONS
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dissenters are sufficiently strong to leave the Vocal science' of today in a most unscientific position." [Thompson 610] "The judgments of experts on points connected with vocal performance are most extraordinarily varied." [Mursell and Glenn 413, p. 278] Vocal authorities disagree on even "the most elementary and fundamental points." [Redfield 462, p. 280] There is a total lack of "doctrinal unity" and a lack of "uniform pro­fessional language'' among vocal technicians. [Roach 472] Vocal litera­ture "reveals a surprising lack of unanimity of opinion." [Henley 261]
10.  Basic teaching concepts are not clearly defined. Teaching theories are largely empirical, vague and without scientific explanation. [James 300, p. 7] The cause of confusion in teaching singing is the lack of "a sound theoretical basis." [Kwartin 325, p. 15] Very few teachers agree on basic vocal principles. [Campajani 91]
11.  Conflicting and ambiguous terminologies exist. More than any­thing else, misleading terminology has served to confuse the vocal teach­ing profession. [Shaw 518, p. 11] "There is a vast verbiage of synonyms for tone quality in vogue, none of them satisfactorily differentiated or defined/' [Seashore 507] So-called differences of opinion are usually differ­ences in terminology. [De Young 137; Hill 272, p. 53] "The terminology of the art is more than half figurative/' [Henderson 243, p. 54] One group literally "does not speak the other's language/' [Bartholomew 37] "One has but to look at the conglomeration of terminology. . . /' [Muyskens 415]
12.  Prevalent use of imagery in place of explicit instructions. (E.g., "singing on the breath," "the voice always flows from diaphragm to head," "The voice is like a flower. Its roots are imbedded in the breathing or­gans, its stem is the flowing breath stream, its blossom is the resonance in the head cavities.") The Italians used "drink the tone" and "inhale the voice** as a means of freeing the throat. [Henley 256] In teaching voice, circumlocution is often necessary, even to the extent of using "what the scientist sometimes denounces as fantastic, false imagery/' [Bartholomew 38] Imagery is very useful in vocal pedagogy, [Ortmann 437] The use of metaphorical terms by singing teachers often causes misunderstandings. [Scholes 496]
13.  Fancy holds sway over fact. Nonsensical generalizations about un­known factors often take the place of reasoned Investigations. Teachers are often guilty of arbitrary generalizations which attribute all good tone-production to the influence of the nose, diaphragm, uvula or other indi­vidual parts. [Drew 147, p. 113] "One could make a museum of freak ideas" pertaining to the teaching of voice. [Amelita Galli-Curci 197] The following mystifying statements are vague generalizations made by au­thors, pertaining to several unknown factors of voice production. To avoid offense, they are quoted here anonymously: